83rd Academy Award Review

“The King’s Speech” has been crowned best picture at the 83rd Academy Awards ceremony as precise as a state coronation, the monarchy drama leading as expected with four Oscars and predictable favourites claiming acting honors.

Colin Firth as stammering British ruler George VI in “The King’s Speech” earned the best actor prize Sunday, while Natalie Portman won best actress as a delusional ballerina in “Black Swan.”

The boxing drama “The Fighter” claimed both supporting acting honors, for Christian Bale as a boxer turned-drug-abuser and Melissa Leo as a boxing clan’s domineering matriarch.

“The King’s Speech” also won the directing prize for Tom Hooper and the original-screenplay Oscar for David Seidler, a boyhood stutterer himself.

British-born Hooper, a relative big-screen newcomer best known for classy TV drama, took the industry’s top filmmaking prize Sunday over Hollywood veteran David Fincher, who had been a strong prospect for his Facebook drama “The Social Network.”

Bale, Leo win supporting Oscars

Christian Bale and Melissa Leo won the supporting-acting Academy Awards for the boxing drama “The Fighter,” while “Toy Story 3” claimed the prize for feature animation.

Leo’s win capped an unusual career surge in middle age for the 50-year-old actress, who had moderate success on TV’s “Homicide- Life on the Street” in her 30s but leaped to big-screen stardom in her late 40s, a time when most actresses find good roles hard to come by.

In disbelief when she took the stage, Leo said, “Pinch me.” Hollywood legend Kirk Douglas, who presented her award, obliged with a little pinch on her arm.

Bale, who is English, earned the same prize his Batman co-star, the late Heath Ledger, received posthumously two years ago for “The Dark Knight.” At the time, Bale had fondly recalled a bit of professional envy as he watched Ledger perform on set like a whirlwind as the diabolical Joker while the film’s star had to remain clenched up as the stoic, tightly wound Batman.

“The Fighter” gave Bale his turn to unleash some demons as Dicky Eklund, a boxer whose career unraveled amid crime and drug abuse. Bale delivers a showy performance full of tics and tremors, bobbing and weaving around the movie’s star and producer, Mark Wahlberg, who plays Eklund’s stolid brother, boxer Micky Ward.

Best original screenplay

Best-picture front-runner “The King’s Speech,” a tale of Britain’s stammering King George VI that led contenders with 12 nominations, won only one of the first nine prizes for which it was competing, best original screenplay for British writer David Seidler.

The win capped a lifelong dream for Seidler, a boyhood stutterer born in London in 1937, a year after George took the throne. Seidler, who overcame his own stutter at age 16, had long vowed to one day write about the monarch whose fortitude set an example for him in childhood.

The Oscar for adapted screenplay went to Aaron Sorkin for “The Social Network,” a chronicle of the birth of Facebook based on Ben Mezrich’s book “The Accidental Billionaires.” “The Social Network” also won for musical score for Trent Reznor and Atticus Ross, and for film editing.

'Inception' claims four Oscars

The sci-fi blockbuster “Inception,” which came in with eight nominations, led with four wins, for visual effects, cinematography, sound editing and sound mixing.

“Inside Job,” an exploration of the 2008 economic meltdown, won for best documentary, which proved an uncommonly lively category this time.

The Oscar buildup featured speculation about whether Banksy, a mystery man of the street-art world, might show up for his awards entry, “Exit Through the Gift Shop.” If he was at the Oscars, he did not declare himself.

But it was the topic on most people’s minds the last two years, the economy, that resonated among Oscar voters. “Inside Job” director Charles Ferguson subjected Wall Street players, economists and bureaucrats to a fierce cross-examination to depict the economic crisis as a colossal crime perpetrated on the working-class masses by a greedy few.

“Forgive me, I must start by pointing out that three years after our horrific financial crisis caused by financial fraud, not a single financial executive has gone to jail, and that’s wrong,” Ferguson said.

While “The King’s Speech” came in as the best-picture favorite, “The Social Network” was considered a potent prospect for an upset win.

The two films have led a strong and varied field of best—picture contenders since they debuted nearly six months ago. “The Social Network” was the early leader, grabbing key critics’ honors and winning best drama at the Golden Globes. Momentum shifted to “The King’s Speech” as the film dominated on Oscar nominations morning and swept top awards from influential actors, directors and producers guilds.

Best animated feature

“Toy Story 3,” last year’s top-grossing release and a contender for best picture, won the fourth-straight animated-feature Oscar for Disney’s Pixar Animation unit. Pixar has produced six of the 10 Oscar recipients for animation since the category was added, including “Finding Nemo,” “WALL-E” and last year’s winner, “Up.”

Best foreign language film

The Oscar for foreign-language film went to Danish filmmaker Susanne Bier’s “In a Better World,” a saga of two broken families that centers on two teenage boys struggling with violence at school and plotting revenge.

The Lewis Carroll update “Alice in Wonderland” won the first prize of the night, claiming the art direction Oscar. It also won for costume design.

The show opened as co-hosts Anne Hathaway and James Franco inserted into a montage of scenes from best-picture nominees, built as a series of dream sequences reminiscent of “Inception.” The footage included such guests as Morgan Freeman and last year’s Oscar co-host Alec Baldwin.